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Tag Archives: Game of Thrones

Starring George Bush’s decapitated head!

So in one of the first few episodes of Season Two of Game of Thrones, King Joffrey take Sansa Stark up to the parapet to gaze at the severed heads of her father and her Septa. There’s another head up there on a spike, decorating the walls of the Red Keep – it has long hair and it’s face is partially turned away from the camera’s perspective. Take a look at it. See the shape of the nose, and the particular and familiar snug smirk.

You got it! It’s the head of George Dubya Bush! The makers of the show needed heads, and they grabbed the first one that was lying around, slapped a fright wig on it, and put it up there on a spike. It wasn’t politically motivated at all; not in the  least.

Actually, I do believe the creators of Game of Thrones. Of all the people to whom George Dubya would be similar, I would think the false King Joffrey would come closest.  But still, a great story.

Edit: this image will be scrubbed away from all future DVD’s and downloads of this show, as it has become an embarrassment. So enjoy it here.

Season One, Game of Thrones. The first show.

Last night, my wife watched the first episode of Game of Thrones. The first episode of the first season, that is. I’d been after her all year to watch it; she was simply too busy, or wanted to watch Desperate Housewives instead. But last night, I got her to watch it. Just barely. Here are a few things she said as we watched it.

In Daenerys’s first scene, she is waiting in the bathroom of Magister Illyria’s house. In comes her awful brother, who needs her to get ready for a meeting with Khal Drogo, whom she is to wed. Viserys, being an incestuous brat, decides to take off her gown. She is completely naked, shot from the back.

“Is that why you like this show? Because she’s got a big bum?”

I let that one pass. I didn’t want to tell her that Daenerys’s represented house Teagaryen’s last chances of fertility, and so her calipygian endowments were probably more of a metaphorical choice.Then, during  Daenery’s wedding to Khal Drogo, a fight breaks out over who gets to bang the dancing girls in front of Khal Drogo. Someone gets killed and the Khal laughs.

  “O my God. They’re savages! But that guy with the eyeliner is hawt!”

I wanted to tell her that since Daenerys was blonde, and the Khal and all his people were dark-skinned, this scene represented a fundamental misstep in the show’s execution: it re-enforces the myth of non-white savagery and caucasian purity.But why spoil the fun? I love this show.

A few more gems:

 ”A lot of people get their heads chopped off.”

    “The king is really fat but at least he’s funny.”

   ”Why do all those dark-haired guys have no body hair? You know what other show has not a follicle of body hair? True Blood, that’s what.” “Sex sells, so – “ “Sex sells? I thought this was the best fantasy series ever. That map at the beginning, the locations, all that money, and yet these dudes are manscaped?”

 ”Why does no one on this show do foreplay except the dwarf with his hookers? No seriously, all the other guys do is bend women over without asking permission.” 

   ”Stop trying to tell me the story. I’m watching it right now.”

   ”Since when do wolves bark?”

    “Did you know that last week I watched the last show of Desperate Housewives? The last show ever?”

   ”Ew.”

She didn’t say she hated it. But she just muttered to herself for a few moments after watching it, and then she watched a few episodes of The Dog Whisperer. Which is pretty good, I must admit.

Game of Thrones: The problem with accents in Fantasy shows

This fellow speaks in a brit accent!

So far I’ve seen four episodes of the second season of Game of Thrones.

It’s tough to describe how I feel about this show now. After an absolutely dynamic first season, the second is starting to falter just a tiny bit.

The reason? The accents.

In the first season, the accents were reasonably distributed. The continent of Westeros was basically like a gigantic United Kingdom. The fancy-pants folks in the ruling city of King’s Landing sound like they went to Eton, even of Tyrion Lannister sounds a little fake (Dinklage’s performance makes up for it). The people from the Vale are educated, and the people of Winterfell, they of the North, sound like they come from the north of Britain. Sean Bean sounds particularly credible.  Everything sounds nice and comfortably British, as we imagine the characters in our Fantasy books might sound (although George rr Martin is American).

Across the narrow sea, the Dothraki speak a foreign language, and when they speak English (actually the common tongue, although we hear it as English) it is gutteral and in a vague Arabic language, which is what we anglophones hear as threatening. Syrio Forel, the Braavosi sword master who taught Arya Stark how to fight, sounds like Don Juan de Marco. So far, so good. In the first season, we see a believable world.

The second season begins. Theon Greyjoy visits his dad, Balon, Ruler (but not king) of the Iron Islands. Balon sounds like an educated brit. So does his daughter. People who live on the ocean, only to come to land in order to sleep in bleak stone houses, sounding like they got a first in Oxford? I don’t know.

Bonus shot of the wonderful Brienne of Tarth!

Daenerys Teagaryen, the Mother of Dragons, arrives at the gates of Qarth. Out comes the mysterious Thirteen, and their representative, dressed in pastel silks and dripping with gold jewelry, looking exotic as all get-out, sounds like a successful London barrister, even when he tells Daenerys that his name is too vastly long and foreign sounding for her to pronounce it.

Craster, the brutish, daughter-impregnating, baby-sacrificing savage from beyond the wall, sounds like someone hired from the Royal Shakespeare Company.

Once the story really takes off, and Daenerys interacts with the residents of the Nine Free Cities, and the Slaver cities, and one of the other main characters gets to Braavos, and the Summer Island people appear, and then there are the creepy people of Asshai, the crannog people, the people of warm lands of Dorne, will all these people sound like they learned to act at the same school? Will it be a grand reunion for LAMDA and Guildhall? If that’s true, then ugh. It won’t be believable.

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