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Reading ‘Fifty Shades of Grey’ on the bus

 

I was on the bus with my two kids this morning. It’s a tough commute – the older one goes to special private school in the western part of the city, and the younger goes to a small public school in the East. I travel a bit west, drop the older one off on a corner where another bus will pass by and take him thirty blocks down. Then I and the remaining boy head off east again to his school. It’s a tough haul, but I have several different versions I use with varying degrees of success.

The first bus we take is one of the busiest: full of university students heading to the water’s edge, and high school students who attend the well-funded public and private schools in Shaughnessy and Dunbar.

A Punjabi man walks on the bus and stands next to me.  He’s got the turban, the bracelet, probably a kirpan under his shirt. He’s got a Kobo – an E-reader made by Chapters, the big-name Canadian bookstore. Although I’ve bought the Kobo for my mother, I preferred the Sony E-reader. That was in the past, of course: now I read on my iphone. Perhaps he forgot his glasses: he has the text on almost maximum zoom, so large that even near-sighted I can read it from a fair distance away. Which I’m not; I’m standing right next to him.

And thank Goodness for that! I can’t help but be drawn to the words: a woman is getting down on her knees in front of a nameless man. She caressing him through his dress pants, unzipping his pants, and then he ‘springs free!’

I can’t believe this. Anyone within ten feet can read what this fellow is reading, and he’s standing cheek-to-cheek on an extremely crowded bus.

Soon she’s got him in her mouth, and he’s trying to pull away before he loses control. So she holds on, and sucks even harder.

‘Oh, Grey!’ she says.

Grey? Wait a minute. This man is reading Fifty Shades of Grey, or one of the damn sequels, is what he’s doing!

Is this how bad it’s got? Are regular dudes now shamelessly lapping up bad erotica on the bus?

I wish I understood the Fifty Shades phenom. Grown-up educated women are reading this stuff. My sister-in-law, who’s a damn family doctor, is reading it (although in her defence she borrowed it, so at least she didn’t spend money on it.)

The bus stopped at a major intersection, and he put away his reader and left the bus. I never got a chance to read if Grey came in her mouth. Or if she swallowed.

God, do I want to read it too?

 

 

‘The Wire’

 

So I’m watching The Wire right now. It’s one my lovely on-demand box, and I am twelve episodes in, with forty-nine left to go. Yo, It’s a big long story arc, yo.

The Wire is a the story of two warring houses: the Baltimore police and all its adjunct, ancillary, and ascendant parts, and the Avon Barksdale crime group, with its money, secrecy, soldiers, and cannon fodder.

I like the wire because it’s… ethno-normativity, I guess you could call it. Baltimore is a largely black city (a ‘brown town,’ as it was called on the old show Homicide). If there is a fancy fundraiser at a Mansion, black people are the main players. If there is a scene in a fancy restaurant, the clientele is mainly black. The lietenants, the senators, the deputy commissioner, the detectives, are mainly black. There is no racism in the wire – just people of different colour living and working together. That this show is featured on the blog ’Stuff White People Like’ is a little silly.

The one glaring exception is Dominic West as detective Jim McNulty, a white man of Irish decent who is the show’s lead character. While he is white, his particular brand of drinking, grandstanding, navel-gazing, and poor fathering make him one of the best choices for this show of flawed people. His own colour, in a city of black people, makes him the perfect outsider, the man who first really takes notice of the well-hidden Avon Barksdale crime network, and bugs enough people to make the investigation happen.

Things I noticed about The Wire:

Criminal who use the ‘We’re all family united against The Man’ approach to rally their underlings are lying. Avon Barksdale has no problem with killing a child if it benefits him.

The show is an indictment of pure capitalism. Once someone gets to the top of the heap, he’ll just keep taking more until everyone underneath has nothing. Avon Barksdale makes millions, and yet his underlings and sellers live in housing projects with broken windows and no plumbing.

The other side of pure capitalism – that of administration and rank within the government – is just as bad as the criminal side of capitalism. The Wire is full of bureaucrats and politicians who would happily let Barksdale go on killing and poisoning as long as the campaign contributions keep coming in and the homicide clearances are high. The people who wish for change – McNulty, Kima, Daniels – are seen as bothersome meddlers.

I’m only a few seasons into the second season, and I’ve been refraining from looking it up in case I might hear that McNulty gets killed.

 

 

 

Mitt Romney the Chameleon

Notice that’s he’s browner?

I don’t think Mitt Romney is a bad person. Or maybe I don’t know whether he is or is not a bad person. But I don’t think Mitt Romney knows either.

In 1994, during his campaign for the senate, he wrote an infamous letter to The Log Cabin Republican, a group of gay fiscal conservatives. While he didn’t outright state that he was for marriage, he did write that he wanted full equality for gays and lesbians. When that letter was brought up as a weapon against his social conservative bona fides, he could only say that he was tailoring the letter to its recipients. In other words, he was telling them what he wanted to hear.

Earlier this week, he was caught insulting half his country’s population. He was secretly videoed at a $50,000 a plate fundraiser, where many of the guests were doubtlessly rich republicans. Did the ‘Massachusetts Moderate’ really believe all that stuff about moochers and freeloaders? I don’t know, and perhaps Mitt doesn’t know either. I think he may have been telling the rich folks what he wanted to hear.

And last, but not least. Here is a picture of him on Univision, a spanish-language TV station. He appears to be wearing brown toner on his face, which makes his skin look… darker. More like the audience that might be watching the show. The mind boggles.

Barring Obama making a colossal mistake, Romney is going to lose. He will disappear, and go back to ripping the guts out of companies and sending work overseas. We’ll forget about him, and maybe by then he’ll have figured out who he is. I sure as hell don’t know who he is.

‘The Boffer’

I was sixteen years old when I saw my first real porn movie.

Video Difference was on Quinpool Road in 1987. For a while it was in trouble when Blockbuster opened up half a block west. Blockbuster died, and Video Difference came away bloody but unbeaten. It’s still there today, even though in Vancouver all the good video stores are disappearing.

Video Difference had several floors of VHS selections. When Jumbo Video opened up across the street with themed rooms (horror, porn) and lower prices, we wondered if Video Difference was going to up its game. My stand-bye store just expanded its selection (it had a good foreign section) and added a floor. It kept its porn on the top row on the upper floor and that’s what we were interested in.

The porn in those days was an odd lot: newer stuff cheaply shot on video, or older stuff shot on film, which wasn’t necessarily better (film porn can be horribly grainy and twenty years behind the year in which it was shot). A lot of Midnight Blue stuff (which was soft-core) with people like John Holmes and Seka, a lot of rather quaint European stuff, and some of the video movies, which had more explicit covers and glossier skin.

One Friday night, my friends and I had to see a damn porn tape. So we hung around the upper floor, pretending to look at the Comedy and Horror. But what we were really looking for were single men who were getting porn tapes. For some reason, it had to be me who did the talking. I’d actually kissed a girl, and that somehow made me more eligible to approach strange men and ask them to rent us porn for underage teenage boys.

I finally found someone, and I can still remember him: mid-thirties, stocky, glasses, brown leather jacket, with longish ginger hair and a moustache. I walked up to him, a porn tape in my hand.

“Excuse me,” I said. “Er… could you rent this movie for us?” I held out the tape for him.

If he’d said no, I would have given up there and then. It’s one thing to hang around in the dark outside a liquor store asking people to but your booze; another thing entirely to haunt the video store looking for strange men to illegally rent you porn. And my friends and I were planning on watching it together – there would be no wanking involved! It wouldn’t have been worth it to keep at it for all that long.

“Uh…uh… okay,” he said.

I asked him to meet us outside. He did, and handed us, three unknown teenage boys, a porn tape rented in his account. We could have kept that thing and he would have been liable for the cost. Even though the bro-code didn’t exist at the time, I had no intention of leaving this fine moustachioed fellow porn-consumer in the lurch. I brought it back the next day as a gentleman should.

The movie was called B.Y.O.B., which is short for Bring Your Own Body. The plot escapes me – in fact, I think it just boning in different combinations. Here is the cover:

Why did we pick this out of all of them? I’ve forgotten.

As porn flicks go, it was pretty inoffensive. They just did it, there was a cumshot, and then onto the next scene, until the credits scrolled by with those rather comically earnest ’80’s porn names: Blake Palmer, Gail Force, Kristara Barrington, Sasha Gabour. The only part I really remembered was a three-way with two men and one woman – one man, while taking his female partner from behind while lying on his side, paused to pragmatically adjust the pillow under his head. Then he starts giving it to her like he’s a jackhammer. For some reason I remembered that: Ok, let me get comfortable – (grunt!) – and then I’m taking you to the moon, baby! One of my friends called him “The Boffer” and we joked about him for years.

Later on, all porn videos were either put in a separate room or the basement of video stores, and taken off the top shelves where impressionable young people could see them. But the covers! Those cheapo eighties VHS porn covers! We may laugh at them, but the DVD porn that followed had covers that were vile, and put together like collages made by mental patients. Back then, I think video companies actually tried to look… somewhat classy. They failed miserable, but looking back, I appreciated the effort.

On some of the covers I saw several times a week, but never in motion, was this woman: Ebony Ayes. She has since disappeared and no one seems to know where she’s gone, or if she’s even alive. But she haunted my dreams:

Among the eighties porn, there was older stuff as well. I later heard saw that John Holmes movie, and it had no actual sex in it. Can you believe that? Everyone just wriggled around and grabbed each other, moaned, and thrust their hips back and forth. It was very disappointing. But the other movie, A Taste of Money? That was pretty good – sort of a cautionary tale about stardom.

Eventually the whole game changed: it’s now 2012 and 10 year-olds can get porn with a few clicks. All free, somehow, even though people make it and make money in some way that isn’t clear to me. But… that’s how it was back in the day. It was an embarrassing and weird process, and God help you if anyone caught you coming out of one of those rooms, or reaching up to the top row and bringing down one of those VHS boxes.

This movie stalked through my imagination for years. Something about those old-fashioned breasts seemed to dispel the social norms I grew up in. Incidentally, Candy Samples was also a big star in Russ Meyer movies.

This movie was actually not bad.

The Ultimate cat video

Cats are ubiquitous in the internet, and I’m not sure why. So this is the ultimate cat video. Even if you hate cats, you will love this video. There are some clips you’ve seen before, and some new ones. But never all at the same time! Feast your eyes on the Ultimate Meow Compilation.

The Twilight Zone (1983) the movie

In 1983 (Yes, I’m a child of the eighties), my friend and I went to the movies. There was this flick in the theatres called The Twilight Zone. We knew nothing about it, nothing about the original series, nothing about the show’s habit of ironic and moralistic O. Henry endings, nothing about scary movies beyond knowing that they were scary and they were sometimes sexy. Sex was something you could see in scary movies without your parents knowing.

The opening scene is set late at night, in a car, on a long, lonely highway. The two men inside are singing along to the radio. They have a conversation after that, a lively conversation, and then the driver says, “Do you want to see something scary?”

After the passenger agrees, the driver turns out the indoor lights. They’re in the dark, out in the middle of nowhere, roaring blind down the highway. The passenger is understandably frightened. He begs for the lights to be on again.

After the lights come on, the passenger says, “Do you wanna see something really scary?”
When the driver says yes, the passenger says, “First you have to pull over.”

The driver does so. After they are safely pulled over and the engine is off, the driver turns to the passenger. After the constant drone of the car engine, the theatre is quiet, and the driver’s voice is very startling and loud when he says… “Okay! Scare me.”

The passenger smiles and turns away towards the door, hiding his face. After a moment of unbearable silence, the passenger turns around again. And this is what we see.

I just about died. I turned and hid my face as the audience screamed in delight. A second later I peeked around to see this thing begin to eat the driver’s face. 

I recovered, and the rest of the movie was quite average, until the the final story in which a plane passenger has to watch a gremlin eat the wing of his plane.

That was the most terrifying moment of my young life. I remember it like it were yesterday.

———————–

A year ago, I decided to look up my old nemesis, the movie that scared the crap out of me when I was a child. I finally saw the old scene on YouTube. I was so thankful. Everything is on Youtube. When we’re all dead, YouTube will still be around to explain everything.

You know what I saw in that opening scene? Albert Brooks and Dan Ackroyd in that car.

That song they were singing along to on the tapedeck? A cover of Midnight Special by Creedence. Then they play a musical guessing game – they hum along to the themes to Hawai’i Five-O, Sea Hunt, and even National Geographic. Eventually they sing The Twilight zone theme. It’s hilarious. It’s a young Brooks and Ackroyd – of course it’s funny! Not only that, I completely blanked out and had forgotten that game. I only remembered the frightening bits.

So there you have it: One of my most formative scary movie experiences was comedy and I was too green to realize it. Looking back, I can see that it’s a delightful scene, full of fun and love of old television, with two wonderful comic actors who act as if they were enjoying every minute.

Look up the scene. It’s wonderful and can be found here.

Nekrogoblikon!!

This is a fabulous, witty, and self-deprecating video called No One Survives, by the death metal band Nekrogoblikon. What a pleasant surprise! It reminds me of something The Beasty Boys might do if the Beasty Boys were a metal band.

Here is a the story of a nerdy, single, milquetoast goblin – a day in the life of a put-upon wage slave. The lovely twist of this whole video is…. well, just watch it. And watch how it finally heads into genre territory at the end.

And since I’m in a very strange mood ( a very good mood actually – some very fine family-related news came my way and I am as pleased as punch), here is a picture of a hairy teenage girl cuddling a hybrid between a baby and a foot.

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